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    Favourite poems by Rita Dove

     1 mo ago  
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    poetry

    These are some of my favourite poems by Rita Dove.

    Some people's minds run from point A to point B with the linear determination of an express bus roaring from stop to distant stop. Theirs are minds trained to avoid detours, to cut a path past the alleys and side streets of distraction. Rita's mind is more like the water of a stream swirling randomly, chaotically and unpredictably over the stones below as it still flows resolutely downstream... Rita is not like those who see tangential thoughts as distracting digressions: "I'm interested in the sidetracking."

    — Walt Harrington, The Shape of Her Dreaming — Rita Dove Writes a Poem (1995, The Washington Post)

    Dawn Revisited

    Imagine you wake up
    with a second chance: The blue jay
    hawks his pretty wares
    and the oak still stands, spreading
    glorious shade. If you don’t look back,

    the future never happens.
    How good to rise in sunlight,
    in the prodigal smell of biscuits—
    eggs and sausage on the grill.
    The whole sky is yours

    to write on, blown open
    to a blank page. Come on,
    shake a leg! You’ll never know
    who’s down there, frying those eggs,
    if you don’t get up and see.

    The Fish in the Stone

    The fish in the stone
    would like to fall
    back into the sea.

    He is weary
    of analysis, the small
    predictable truths.
    He is weary of waiting
    in the open,
    his profile stamped
    by a white light.

    In the ocean the silence
    moves and moves

    and so much is unncessary!
    Patient, he drifts
    until the moment comes
    to cast his
    skeletal blossom.

    The fish in the stone
    knows to fail is
    to do the living
    a favor

    He knows why the ant
    engineers a gangster’s
    funeral, garish
    and perfectly amber.
    He knows why the scientist
    in secret delight
    strokes the fern’s
    voluptuous braille.

    Mother Love

    Who can forget the attitude of mothering?
    Toss me a baby and without bothering
    To blink I’ll catch her, sling him on a hip.
    Any woman knows the remedy for grief
    is being needed: duty bugles and we’ll
    climb out of exhaustion every time,

    bare the nipple or tuck in the sheet,
    heat milk and hum at bedside until
    they can dress themselves and rise, primed
    for Love or Glory—those one-way mirrors
    girls peer into as their fledging heroes slip
    through, storming the smoky battlefield.

    So when this kind woman approached at the urging
    of her bouquet of daughters
    (one for each of the world’s corners,
    one for each of the winds to scatter!)
    and offered up her only male child for nursing
    (a smattering of flesh, noisy and ordinary),
    I put aside the lavish trousseau of the mourner
    for the daintier comfort of pity:
    I decided to save him. Each night
    I laid him on the smoldering embers,
    sealing his juices in slowly so he might
    be cured to perfection. Oh, I know it
    looked damning: at the hearth a muttering crone
    bent over a baby sizzling on a spit
    as neat as a Virginia ham. Poor human—
    to scream like that, to make me remember.

    November for Beginners

    Snow would be the easy
    way out—that softening
    sky like a sigh of relief
    at finally being allowed
    to yield. No dice.
    We stack twigs for burning
    in glistening patches
    but the rain won’t give.

    So we wait, breeding
    mood, making music
    of decline. We sit down
    in the smell of the past
    and rise in a light
    that is already leaving.
    We ache in secret,
    memorizing

    a gloomy line
    or two of German.
    When spring comes
    we promise to act
    the fool. Pour,
    rain! Sail, wind,
    with your cargo of zithers!

    Poems from ‘Twelve Chairs’

    First Juror

    Proof casts a shadow;
    doubt is to walk
    onto a field
    at high noon
    one tendril
    held to
    the
    wind.

    Second Juror

    A stone to throw
    A curse to hurl
    A silence to break
    A page to write
    A day to live
    A blank
    To fill

    Third Juror

    between the lip
    and the kiss
    between the hand
    and the fist
    between rumor
    and prayer
    between dungeon
    and tower
    between fear
    and liberty
    always
    between

    Tenth Juror

    Tragedy
    involves
    one.
    History
    involves many
    toppling
    one
    after
    another.

    Twelfth Juror

    why is the rose
    how is the sun
    where is first
    when is last
    who will
    love us
    what
    will
    save
    us

    The Alternate

    —And who are you?
    —Nobody.
    —What do you do?
    —I am alive.
    But who'll vouch
    for you?
    —Listen closely,
    you'll hear
    the
    wind.

    Pithos

    Climb
    into a jar
    and live
    for a while.

    Chill earth.
    No stars
    in this stone
    sky.

    You have ceased
    to ache.

    Your spine is
    a flower.

    On the Road to Damascus

    And it came to pass, that, as I made my
    journey, and was come nigh unto Damascus
    about noon, suddenly there shone from heaven
    a great light round about me. And I fell to the
    ground . . .

    ACTS 22:6–7

    They say I was struck down by the voice of an angel:
    flames poured through the radiant fabric of heaven
    as I cried out and fell on my knees.

    My fist recollection was of Unbroken Blue—
    but two of the guards have already sworn by
    the tip of my tongue set ablaze. As an official,

    I recognize the lure of a good story:
    useless to suggest that my mount
    had stumbled, that I was pitched into a clump

    of wild chamomile, its familiar stink
    soothing even as my plans sprang blisters
    under the nicked leaves. I heard shouts,

    the horse pissing in terror—but my eyes
    had dropped to my knees, and I saw nothing.
    I was a Roman and had my business

    among the clouded towers of Damascus.
    I had not counted on earth rearing,
    honey streaming down a parched sky,

    a spear skewering me to the dust of the road
    on the way to the city I would never
    enter now, her markets steaming with vendors

    and compatriots in careless armor lifting a hand
    in greeting as they call out my name,
    only to find no one home.

    Straw Hat

    In the city, under the saw-toothed leaves of an oak
    overlooking the tracks, he sits out
    the last minutes before dawn, lucky
    to sleep third shift. Years before
    he was anything, he lay on
    so many kinds of grass, under stars,
    the moon’s bald eye opposing.

    He used to sleep like a glass of water
    held up in the hand of a very young girl.
    Then he learned he wasn’t perfect, that
    no one was perfect. So he made his way
    North under the bland roof of a tent
    too small for even his lean body.

    The mattress ticking he shares in the work barracks
    is brown and smells
    from the sweat of two other men.
    One of them chews snuff:
    he’s never met either.
    To him, work is a narrow grief
    and the music afterwards
    is like a woman
    reaching into his chest
    to spread it around. When he sings

    he closes his eyes.
    He never knows when she’ll be coming
    but when she leaves, he always
    tips his hat.

    Under the Viaduct, 1932

    He avoided the empty millyards,
    the households towering
    next to the curb. It was dark
    where he walked, although above him
    the traffic was hissing.

    he poked a trail in the mud
    with his tin-capped stick.
    If he had a son this time
    he would teach him how to step

    between his family and the police,
    the mob bellowing
    as a kettle of communal soup
    spilled over a gray bank of clothes. . . .

    The pavement wobbled, loosened by rain.
    he liked it down here
    where the luck of the mighty
    had tumbled,

    black suit and collarbone.
    He could smell the worms stirring in their holes.
    He could watch the white sheet settle
    while all across the North Hill Viaduct

    tires slithered to a halt.

    Variation on Guilt

    Count it anyway he wants—
    by the waiting room clock,
    by the lengthening hangnail,
    by his buttons, the cigars crackling
    in cellophane—

    no explosion. No latch clangs
    home. Perfect bystander, high
    and dry with a scream caught
    in his throat, he looks down

    the row of faces coddled
    in anxious pride. Wretched
    little difference, he thinks,
    between enduring pain and
    waiting for pain
    to work on others.

    The doors fly apart—no,
    he wouldn’t run away!
    It’s a girl, he can tell by that smirk, that strut of a mountebank!

    But he doesn’t feel a thing.
    Weak with rage,
    Thomas deals the cigars,
    spits out the bitter tip in tears.


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